I love the expressions that are portrayed in the faces of the masks, figurines, and sculptures.
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| Who, me? |
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| He appears to be expressing his displeasure |
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| Such a relaxed look on his face |
Pitchers and pots in the shapes of revered animals were used by several of the pre-Colombian cultures.
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| Pitcher in the shape of a cat. The arch of the back and the straight tail are portrayed perfectly. |
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| Animal Pitchers: monkeys, and jaguars, and birds |
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Weapons are among my favorite things to see from any culture.
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| This club is the only weapon I noticed. I guess it was an art museum... |
Some Andean cultures used a "lost wax" technique to make gold figures. The technique involved making a figure out of wax, then covering it with clay. As the clay baked and hardened the wax would melt, creating a mold to use with smelted gold.
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| Golden lizards created using the lost wax method |
There were quite a few references in the art to gods and goddesses dressing themselves in the flayed skin of men, women, and animals. (One of the gods, Xipe Totec, translates as Our Flayed Lord). The next two are wearing the skins of a monkey and...a bird? (I forget).
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| From a distance, this handsome god looked like Chi McBride to me |
Animals were not the only revered creatures. Pregnant figurines was a prominent theme among many of the cultures of the Andes.
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| Mothers are still very important today |
You may have noticed that several of the figures are seated. Seating was a gesture of authority and high status (for both the gods and the human leaders) throughout the cultures of South America.
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| A chair fit for a god |
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| Seated Coquero chewing his coco leaves. |
Unfortunately I wasn't allowed to photograph the fabric, which is incredible in Andean tradition. Weaving arrived before ceramics and even before village life in the Andes, and the fabric was used by religious leaders to share their iconography to the coast lines, as well as in funeral rites. Oh, and as blankets. It can get super cold.














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